Johann Glass worked in Leipzig between 1900 and 1940. He established a first-rate reputation as a maker, as well as a restorer, for the symphony orchestra in the town. A fine example of his work, this violin, made at the turn of the 20th century, is perfect for the aspiring conservatory student and professional alike.
Offering power, clarity, and solid projection, this instrument still possesses the warmth and character one would expect from a German instrument of this time period. A two piece back of nicely flamed maple and spruce top of narrow-width grain stand out underneath a wonderful orange-red oil varnish.
Learn more about: The German Violin Making Tradition
Johann Glass Violin, Leipzig, 1908
Features
Size: 4/4
Tonal Profile:
Country of Origin
The German Violin Making Tradition
As with most industries, the history of German violin making can be traced to the history of Germany itself, with its twists and turns of economic and social trends, influence of outsiders, emergence of new technologies, and access to natural resources and trade routes. Long-standing German traditions of high quality, efficient production processes and savvy evaluation of and response to market demands, combined to create a unique industry, with today's markets continuing to rely on the quality instruments produced in Germany long ago.
Markneukirchen: The Center of Violin Making in Germany
In the Vogtland region of eastern Germany, on the Czech border, lies the town of Markneukirchen. Ideally situated in a region that abundantly provides the timber required for instrument making as well as the infrastructure for transportation and trade, Markneukirchen has enjoyed a prominent position as a center of fine craft as well as efficient production. With a legacy that goes back centuries, Markneukirchen today has a reputation for fine, handmade stringed instruments, and is called by many, "The Cremona of Germany".
Mittenwald
The Bavarian town of Mittenwald, in southern Germany, has been an important trade center for centuries because of geography – it is in a low lying valley in the northern Alps, conducive to transportation. In what would prove to be the key to Mittenwald's emergence as a center of violin making, Italian trade increased sharply through valley in the 17th century, enabling export of Mittenwald's fine carved statuary, and import of Italy's violins. By the latter 17th century, violin making was firmly established in Mittenwald, and was further bolstered by the emerging guild system.
Workshops
Explore the workshops of E.H. Roth, Heberlein and E.R. Schmidt.